You are currently browsing the category archive for the ‘Gene Wolfe’ category.


The National Public Radio folks have decided to ask their listener base to help them select the greatest works of imaginative fiction.   Their list contains a lot of surprises, but the finalists were selected by the ubiquitous expert panel, and they are inviting fantasy and science fiction fans to vote on which of these 200 or so works are their favorites.

Here is the list.  My choices are in bold:
The Acts Of Caine Series, by Matthew Woodring Stover
The Algebraist, by Iain M. Banks
Altered Carbon, by Richard K. Morgan
American Gods, by Neil Gaiman
Anansi Boys, by Neil Gaiman
Anathem, by Neal Stephenson
Animal Farm, by George Orwell
The Anubis Gates, by Tim Powers
Armor, by John Steakley
The Baroque Cycle, by Neal Stephenson
Battlefield Earth, by L. Ron Hubbard
Beggars In Spain, by Nancy Kress
The Belgariad, by David Eddings
The Black Company Series, by Glen Cook
The Black Jewels Series, by Anne Bishop
The Book Of The New Sun, by Gene Wolfe
Brave New World, by Aldous Huxley
Bridge Of Birds, by Barry Hughart
The Callahan’s Series, by Spider Robinson
A Canticle For Leibowitz, by Walter M. Miller
The Cat Who Walked Through Walls, by Robert Heinlein
Cat’s Cradle , by Kurt Vonnegut
The Caves Of Steel, by Isaac Asimov
The Change Series, by S.M. Stirling
Childhood’s End, by Arthur C. Clarke
Children Of God, by Mary Doria Russell
The Chronicles Of Amber, by Roger Zelazny
The Chronicles Of Thomas Covenant, by Stephen R. Donaldson
The City And The City, by China Mieville
City And The Stars, by Arthur C. Clarke
A Clockwork Orange, by Anthony Burgess
The Codex Alera Series, by Jim Butcher
The Coldfire Trilogy, by C.S. Friedman
The Commonwealth Saga, by Peter F. Hamilton
The Company Wars, by C.J. Cherryh
The Conan The Barbarian Series, by R.E. Howard
Contact, by Carl Sagan
Cryptonomicon, by Neal Stephenson
The Crystal Cave, by Mary Stewart
The Culture Series, by Iain M. Banks
The Dark Tower Series, by Stephen King
The Day of Triffids, by John Wyndham
Deathbird Stories, by Harlan Ellison
The Deed of Paksennarion Trilogy, by Elizabeth Moon
The Demolished Man, by Alfred Bester
The Deverry Cycle, by Katharine Kerr
Dhalgren, by Samuel R. Delany
The Diamond Age, by Neil Stephenson
The Difference Engine, by William Gibson & Bruce Sterling
The Dispossessed, by Ursula K. LeGuin
Do Androids Dream Of Electric Sheep?, by Philip K. Dick
Don’t Bite The Sun, by Tanith Lee
Doomsday Book, by Connie Willis
Dragonflight, by Anne McCaffrey
Dreamsnake, by Vonda McIntyre
The Dune Chronicles, by Frank Herbert
Earth, by David Brin
Earth Abides, by George R. Stewart
The Eisenhorn Omnibus, by Dan Abnett
The Elric Saga, by Michael Moorcock
Ender’s Game, by Orson Scott Card
Eon, by Greg Bear
The Eyes Of The Dragon, by Stephen King
The Eyre Affair, by Jasper Fforde
The Faded Sun Trilogy, by C.J. Cherryh
Fafhrd & The Gray Mouser Series, by Fritz Leiber
Fahrenheit 451, by Ray Bradbury
The Farseer Trilogy, by Robin Hobb
The Female Man, by Joanna Russ
The Fionavar Tapestry Trilogy, by Guy Gavriel Kay
A Fire Upon The Deep, by Vernor Vinge
The First Law Trilogy, by Joe Abercrombie
Flowers For Algernon, by Daniel Keys
The Foreigner Series, by C.J. Cherryh
The Forever War, by Joe Haldeman
The Foundation Trilogy, by Isaac Asimov
Frankenstein, by Mary Shelley
The Gaea Trilogy, by John Varley
The Gap Series, by Stephen R. Donaldson
The Gate To Women’s Country, by Sheri S. Tepper
Going Postal, by Terry Pratchett
The Gone-Away World, by Nick Harkaway
The Gormenghast Triology, by Mervyn Peake
Grass, by Sheri S. Tepper
Gravity’s Rainbow, by Thomas Pynchon
The Handmaid’s Tale, by Margaret Atwood
Hard-Boiled Wonderland And The End of The World, by Haruki Murakami
The Heechee Saga, by Frederik Pohl
The Hitchhiker’s Guide To The Galaxy, by Douglas Adams
The Hollows Series, by Kim Harrison
House Of Leaves, by Mark Danielewski
The Hyperion Cantos, by Dan Simmons
I Am Legend, by Richard Matheson
I, Robot, by Isaac Asimov
The Illuminatus! Trilogy, by Robert Shea & Robert Anton Wilson
The Illustrated Man, by Ray Bradbury
The Incarnations Of Immortality Series, by Piers Anthony
The Inheritance Trilogy, by N.K. Jemisin
Jonathan Strange & Mr Norrell, by Susanna Clarke
A Journey To The Center Of The Earth, by Jules Verne
Kindred, by Octavia Butler
The Kingkiller Chronicles, by Patrick Rothfuss
Kraken, by China Mieville
The Kushiel’s Legacy Series, by Jacqueline Carey
Last Call, by Tim Powers
The Last Coin, by James P. Blaylock
The Last Herald Mage Trilogy, by Mercedes Lackey
The Last Unicorn, by Peter S. Beagle
The Lathe Of Heaven, by Ursula K. LeGuin
The Left Hand Of Darkness, by Ursula K. LeGuin
The Legend Of Drizzt Series, by R.A. Salvatore
The Lensman Series, by E.E. Smith
The Liaden Universe Series, by Sharon Lee & Steve Miller
The Lies Of Locke Lamora, by Scott Lynch
Lilith’s Brood, by Octavia Butler
Little, Big, by John Crowley
The Liveship Traders Trilogy, by Robin Hobb
Lord Of Light, by Roger Zelazny
The Lord Of The Rings Trilogy, by J.R.R. Tolkien
Lord Valentine’s Castle, by Robert Silverberg
Lucifer’s Hammer, by Larry Niven & Jerry Pournelle
Lud-in-the-Mist, by Hope Mirrlees
The Magicians, by Lev Grossman
The Malazan Book Of The Fallen Series, by Steven Erikson
The Man In The High Castle, by Philip K. Dick
The Manifold Trilogy, by Stephen Baxter
The Mars Trilogy, by Kim Stanley Robinson
The Martian Chronicles, by Ray Bradbury
Memory And Dream, by Charles de Lint
Memory, Sorrow, And Thorn Trilogy, by Tad Williams
Mindkiller, by Spider Robinson
The Mistborn Series, by Brandon Sanderson
The Mists Of Avalon, by Marion Zimmer Bradley
The Moon Is A Harsh Mistress, by Robert Heinlein
Mordant’s Need, by Stephen Donaldson
More Than Human, by Theodore Sturgeon
The Mote In God’s Eye, by Larry Niven & Jerry Pournelle
The Naked Sun, by Isaac Asimov
The Neanderthal Parallax Trilogy, by Robert J. Sawyer
Neuromancer, by William Gibson
Neverwhere, by Neil Gaiman
The Newsflesh Triology, by Mira Grant
The Night’s Dawn Trilogy, by Peter F. Hamilton
Novels Of The Company, by Kage Baker
Norstrilia, by Cordwainer Smith
The Number Of The Beast, by Robert Heinlein
Old Man’s War, by John Scalzi
On Basilisk Station, by David Weber
The Once And Future King, by T.H. White
Oryx And Crake, by Margaret Atwood
The Otherland Tetralogy, by Tad Williams
The Outlander Series, by Diana Gabaldan
Parable Of The Sower, by Octavia Butler
The Passage, by Justin Cronin
Pattern Recognition, by William Gibson
Perdido Street Station, by China Mieville
The Prestige, by Christopher Priest
The Pride Of Chanur, by C.J. Cherryh
The Prince Of Nothing Trilogy, by R. Scott Bakker
The Princess Bride, by William Goldman
Rainbows End, by Vernor Vinge
Rendezvous With Rama, by Arthur C. Clarke
Replay, by Ken Grimwood
Revelation Space, by Alistair Reynolds
Riddley Walker, by Russell Hoban
The Riftwar Saga, by Raymond E. Feist
Ringworld, by Larry Niven
The Riverworld Series, by Philip Jose Farmer
The Road, by Cormac McCarthy
The Saga Of Pliocene Exile, by Julian May
The Saga Of Recluce, by L.E. Modesitt Jr.
The Sandman Series, by Neil Gaiman
The Sarantine Mosaic Series, by Guy Gavriel Kay
A Scanner Darkly, by Philip K. Dick
The Scar, by China Mieville
The Shannara Trilogy, by Terry Brooks
The Shattered Chain Trilogy, by Marion Zimmer Bradley
The Silmarillion, by J.R.R. Tolkien
The Sirens Of Titan, by Kurt Vonnegut
Slaughterhouse-Five, by Kurt Vonnegut
Small Gods, by Terry Pratchett
Snow Crash, by Neal Stephenson
The Snow Queen, by Joan D. Vinge
Solaris, by Stanislaw Lem
Something Wicked This Way Comes, by Ray Bradbury
Song for the Basilisk, by Patricia McKillip
A Song Of Ice And Fire Series, by George R. R. Martin
The Space Trilogy, by C.S. Lewis
The Sparrow, by Mary Doria Russell
The Stainless Steel Rat Books, by Harry Harrison
Stand On Zanzibar, by John Brunner
The Stand, by Stephen King
Stardust, by Neil Gaiman
The Stars My Destination, by Alfred Bester
Starship Troopers, by Robert Heinlein
Stations Of The Tide, by Michael Swanwick
Steel Beach, by John Varley
Stranger In A Strange Land, by Robert Heinlein
Sunshine, by Robin McKinley
The Sword Of Truth, by Terry Goodkind
The Swordspoint Trilogy, by Ellen Kushner
The Tales of Alvin Maker, by Orson Scott Card
The Temeraire Series, by Naomi Novik
The Thrawn Trilogy, by Timothy Zahn
Tigana , by Guy Gavriel Kay
Time Enough For Love, by Robert Heinlein
The Time Machine, by H.G. Wells
The Time Traveler’s Wife, by Audrey Niffenegger
To Say Nothing Of The Dog, by Connie Willis
The Troy Trilogy, by David Gemmell
Ubik, by Philip K. Dick
The Uplift Saga, by David Brin
The Valdemar Series, by Mercedes Lackey
VALIS, by Philip K. Dick
Venus On The Half-Shell, by Kilgore Trout/Philip Jose Farmer
The Vlad Taltos Series, by Steven Brust
The Vorkosigan Saga, by Lois McMaster Bujold
The Vurt Trilogy, by Jeff Noon
The War Of The Worlds, by H.G. Wells
Watchmen, by Alan Moore
Watership Down, by Richard Adams
The Way Of Kings, by Brandon Sanderson
Way Station, by Clifford D. Simak
We, by Yevgeny Zamyatin
The Wheel Of Time Series, by Robert Jordan
When Gravity Fails, by George Alec Effinger
Wicked, by Gregory Maguire
Wild Seed, by Octavia Butler
The Windup Girl, by Paolo Bacigalupi
World War Z, by Max Brooks
The Worm Ouroboros, by E.R. Edison
The Xanth Series, by Piers Anthony
The Yiddish Policeman’s Union, by Michael Chabon
1632, by Eric Flint
1984, by George Orwell
2001: A Space Odyssey, by Arthur C. Clarke
20,000 Leagues Under The Sea, by Jules Verne

I was glad to see both Moore’s graphic novel Watchmen and Gaiman’s Sandman series in such august company.   Both Earth Abides (Stewart) and Lord of Light (Zelazny) are close to perfect works of science-fiction.  Unfortunately, Stewart never wrote another book, and Zelazny fell off precipitously after LOL.  Amber wasn’t nearly as good.

I am not surprised that A Voyage To Arcturus didn’t make it onto this list.  It is very poorly written and hard to parse, but it does have a sticking power that many better works lack.  I was surprised to see that nothing by Lord Dunsany made the cut, nor was James Cabell represented, nor George Macdonald, nor Jack Vance.  In the mean time, you can amuse yourselves identifying the pictures off to the right.


In the last week, I have been following an interesting exchange between David Theroux and my loyal friend Steven Hayes about the economic thought of CS Lewis. It appears Paul, whom I suspect of being a right-leaning American Catholic suspicious of governmental interference, found a kindred spirit in Lewis, who was certainly no fan of political ideologies.

Steve, a left-leaning South African with whom I share a concern that the benefits of “freedom” in the market sense have been inappropriately distributed, and with whom I share at least the apprehension that governmental coercion may be the only weapon available to whinge the behemoths currently dominating the geopolitical environment, responded saying that he felt that Lewis would not have allowed himself to be aligned with American Libertarianism, which is an ideology that wishes to extend to all Americans the benefits of that freedom from governmental restraint currently enjoyed by those who can afford seats at $10,000 a plate fundraising dinners.

Mr. Theroux offered a rebuttal to Steve, which Steve graciously forwarded to me in a mailing list, is unavailable for linking, although I hope to remedy that shortly.

I think that the whole problem of trying to pigeonhole Lewis’ politics and/or economic theorems [and, let us confess, all politics appears to have reduced to economics in our darkening era] is that Lewis’ thinking along operated primarily on a pre-Enlightenment, pre-“Victorious Analysis” basis.

I don’t know anything about Natural Law theory, except that it seems to be often on the lips of a certain type of Catholic.  I am assuming that Natural Law is something akin to what Lewis dealt with when he introduced the concept of the “Tao” in ‘The Abolition Of Man’, so if I make mistakes in understanding the ideas begind Natural law, please bear with me.  I have to admit that the whole idea of ‘law’ leaves me a bit cold, whichever phrase it is embedded in; “Natural Law”, “the Law of Historical Necessity”, “the Law of the Marketplace”.

I would like to bring the thought of another of the circle of Lewis’ friends, Owen Barfield, to play upon the issue of economic thought:

“[Francis] Bacon… was at least among the first to draw the analogy in English. so that in the history of thought, we have a here a pretty definite point – round about the beginning of the 17th century – at which the concept ‘laws of nature’ first begins to reveal itself as working in human minds.”

Barfield goes to to explain that the idea of Law, from the time of Bacon on, displaced the older idea of Form as a metaphor of “thinking Nature”.  The older idea of Form, which was useful in explaining ‘natura naturans’, Barfield maintains, were the “memory of those elements which the best Greek thinking could still apprehend in its time as living Beings” was usurped by the menta habit of thinking of Laws, which dealt with ‘natura naturata’, as a static thing “which dealt with the rules that govern the changes which occur in the sense-perceptible part of nature.”

This helps me to distinguish the economic thinking of Lewis, and his companion Tolkien from the algorithmic thinking about The Market© that is so ubiquitious in our day.  The Algorithm arose in the Seventeenth Century as a way of thinking and swept all before it.  The United States, it is sometimes helpful for me to remember, is not a Nation based on ties of race, religion, or culture, but literally an Algorithmic state, based not on centuries of precedent and custom, but on ABORSGSIARTATBWTAADR (A Bunch Of Really Smart Guys Sitting In A Room Thinking About The Best Way To Achieve A Desired Result).  And the temptation is, when confronted by undesireable results proceeding from the execution of the Algorithm, is to reach for the levers and tweak it until it produces the desired results.

The result of the triumph of the Algorithm has been an undeniable increase in the levels of comfort for those who benefit from its application, especially for those close to the levers and those who directly support them.  Indeed, the limited liablity corporation and the ersatz personhood rendered to it by legal fiat represents kind of an Incarnation for this Algorithm. The pronouncements of those in charge of these entities indicate there is a kind of reverse-theosis underway in them that strips them of any concern that cannot be quantified by this Algorithm.

In contrast, Lewis champions a kind of a pre-Algorithmic ordering of society, where The Market© digests other concerns besides the merely economic.  Novelist Gene Wolfe in a masterful essay on Tolkien  says this in a way I can only marvel at:

“Philology led him to the study of the largely illiterate societies of Northern Europe between the fall of Rome and the beginning of the true Middle Ages (roughly AD 400 to 1000). There he found a quality — let us call it Folk Law — that has almost disappeared from his world and ours. It is the neighbour-love and settled customary goodness of the Shire. Frodo is “rich” in comparison to Sam, though no dragon would call Frodo rich; Sam is poor in comparison to Frodo, though Sam is far richer than Gollum, who has been devoured by the tyranny and corruption of the One Ring. Frodo does not despise Sam for his poverty, he employs him; and Sam does not detest Frodo for his wealth, but is grateful for the job. Most central of all, the difference in their positions does not prevent their friendship. And in the end, poor Sam rises in the estimation of the Shire because of his association with Frodo, and rich Frodo sacrifices himself for the good of all the Sams.”

“Sam Rayburn, a politician of vast experience, once said that all legislation is special-interest legislation. Of our nation, and of the 20th century, that is unquestionably true; but it need not be. We have — but do not need — a pestilent swarm of exceedingly clever persons who call themselves public servants when everything about them and us proclaims that they are in fact our masters. They make laws (and regulations and judicial decisions that have the force of laws) faster and more assiduously than any factory in the world makes chains; and they lay them on us.”

It need not be so. We might have a society in which the laws were few and just, simple, permanent, and familiar to everyone — a society in which everyone stood shoulder-to-shoulder because everyone lived by the same changeless rules, and everyone knew what those rules were. When we had it, we would also have a society in which the lack of wealth was not reason for resentment but a spur to ambition, and in which wealth was not a cause for self-indulgence but a call to service. We had it once, and some time in this third millennium we shall have it again; and if we forget to thank John Ronald Reuel Tolkien for it when we get it, we will already have begun the slow and not always unpleasant return to Mordor.”

Please note that the essay by Mr. Wolfe is copyrighted, and the owner of the website from which I obtained the above fragment paid Mr. Wolfe for the  privilege of publishing the essay in its entirety.  Thank you, Mr. Robertson, for making this available publicly.

Unfortunately, I do not believe that the way back is the way forward.  Nostalgia for Holy Rus or the Anglo-Saxon Thengs or even the Scotland of David Ricardo will not assist us in our current extreme.  We live in a time where children now consider it a judicious investment to bring a firearm to school, but I do not want to return to a time when such schooling was available to very few, if at all.

What Barfield indicates is that we need to have a different way of thinking;

“The economic life is today the real bond of the civilised world/  The world is not held together by political or religious harmony, but by economic interdependence; and here again is the same antithesis.  Economic theory is bound hand and foot by the static, abstract (algorithmic) characte of modern thought.  On the one hand, everything to with industry and the possibility of substituting human labor by machinery, or at very least standardizing it into a series of repetitive motions, has reached an unexampled pitch of perfection.”

“But when it is the question of distributing this potential wealth, when it is demanded of us that we think in terms of flow and rate-of-flow, in otherwords that we think in terms of the system as a whole, we cannot even rise to it.  The result is that all our ‘labour-saving’ machinery produces not leisure but its ghastly caricature unemployment while the world sits helplessly watching the steady growth within itself of a malignant tumor of social discontent.  this incereaasingly rancourous discontent is fed above all things by a cramping penury, a shortage of the means of livelihood which arises not out the realities of nature, but out of abstract, inelastic thoughts about money.”

Now, I will be the first to admit that I am clueless about the kind of thinking Barfield says we require at this juncture.  Whether it is holistic rather than reductionistic I cannot penetrate at this time.  If it holistic, it runs the risk of requiring somebody to know a system extensively before saying anything about it, and every time I head down that path, I find myself thinking algorithmically about non-algorithmic thought, and thus get myself all balled up in knots.

The closest I have gotten is, maybe, when meditating in a grove of trees about photosynthesis, I entertained a kind of a pre-sentiment that the trees “wanted” to trap the sunlight and turn it into useable energy, not only for themselves, but for all the biosphere, and if I could just ‘learn their language’, as it were, I could find a way to cooperate with the trees and help them do this.

I think another of the neglected Inklings, Charles Williams, with his concepts of Co-Inherence and Webs of Exchange, lends himself to an economic interpretation.  Certainly Williams, as a lifelong City dweller, would have a different outlook than the bucolic Lewis or Tolkien.  Certainly, a good case could be made for there being different Webs of Exchange; the Chemical, the Biological, the Semantic, the Anthro-Economic which exists over and above the others and which currently is returning evil for good.


I have finally worked my way through the first volume of Gene Wolfe’s series The Book Of The New Sun, The Shadow Of The Torturer, and I have to say that I am thoroughly intimidated.  His prose is as tightly packed with information as a DNA strand, and it took me about twice as long to finish as I thought it

The Master at a Conference

would.  I had to reference backwards and forwards in the book continually,  and read several passages multiple times before I felt as though I had a handle on what Wolfe was trying to say.

The plot was unusually thin considering the considerable wordcraft that went into the book; others have commented at length about Wolfe’s portmanteaus, so I won’t go into them here.  It is sufficient to say that anyone who knows a smattering of Latin and Greek, and a little medieval French as well, will not be baffled by any  of Wolfe’s idiosyncratic vocabulary.  My favorite by far was Wolfe’s elegant euphemism for ‘executioner`, “carnifex”, that is, someone who turns a living body into just so much meat.

The novel is a bildungsroman, the story of a young man growing up and making his way in the world.   If I have any criticism of this work, it is that Severian appears to mature too quickly in the two days between when he is exiled from the Torturers’ Guild and when he arrives at the city wall with Dorcas in tow.

Of course, Wolfe packs a lot into those two days; the discovery of sex,  a duel to the death, a lecture on light and relativity, and a visit to the distant past (our own era?).  Still, this isn’t enough to explain the change in Severian from an uncertain and hesitant boy to the confident man he becomes by the end of the novel.

Agia and Severian at the Botanical GardensI have heard, on the other hand, that Severian, the novel’s protagonist, is not a trustworthy narrator, that he is propagandizing, relating a self-aggrandizing version of the story of his rise from obscurity to Autarch.

Somebody said somewhere, I don’t  remember who or where, that all writers should have ceased to write  after Finnegan’s Wake, or Light In August, or Gravity’s Rainbow. The same sort of thing is said about Gene Wolfe.  Now, I haven’t read anything yet by Joyce, Faulkner, or Pynchon (they are on my to-get-to list), but it is obvious that there has been plenty of writing since the publication of those masterworks.

But I understand the sentiment.  Anybody writing in the urban fantasy/science fiction is going to find that Gene Wolfe has set the bar very high indeed.

CURRENTLY READING